12/20/2023 0 Comments Spike eskin chicago![]() ![]() Eskin turned to his passion for ceramics. patents for cutting-edge technology, and IRI was one of the world's leading market research firms.Īfter he retired from IRI in 1995, Mr. Eskin's firm launched BehaviorScan, a ground-breaking service that used bar codes and supermarket scanners to measure the impact of ads on sales. "As one of the founders of Chicago-based Information Resources Inc., Gerald Eskin was a trailblazer in the market research industry. Gerry Eskin's works are included in the following collections: The Metropolitan Museum, The Museum of Arts and Design (formerly the American Craft Museum), Racine Art Museum, The University of Iowa Museum of Art, Figge Museum of Art, Kirkwood Community College, Longhouse Reserve and the Mint Museum. Red Star Studios, Kansas City, MO, June 2 - July 1, 2000 Gerry Eskin, Recent Ceramics, University of Iowa Museum of Art, Iowa City, IA, May - June 2002. SCALE: Ceramic Forms and Photographic Landscapes, Figge Art Museum, Davenport, Iowa. SOFA - Sculptural Objects Functional Art, Chicago, Navy Pier, Special Exhibition. He is a founder and was director of Information Resources, Inc., one of the world’s leading providers of marketing information and related software. ![]() He received his doctorate in economics at the University of Minnesota. Prior to pursuing his artistic career full-time, Eskin taught marketing and marketing research at Stanford University and the University of Iowa. He also served as chairman of the advisory board of the National Council on Education in the Ceramic Arts, a board member of the American Craft Museum and a member of the advisory board of the University of Iowa Museum of Art. His work is included in a number of major collections, including the Metropolitan Museum of Art, the Museum of Arts and Design (formerly the American Craft Museum), Longhouse Reserve, the Mint Museum and the University of Iowa Museum of Art. Much of his photographic work focused on large-scale panoramic images of expansive landscapes that explore issues of spatial experience and scale.Įskin was an adjunct professor of studio art and art history at the University of Iowa. In recent years, he also was engaged in experimental work in digital imaging, returning to photography after a long period of inactivity. As a ceramicist, he created both functional pottery and sculptural forms. Gerald Eskin was a studio potter and photographer who maintained studios in Iowa City, Iowa, and Aspen, Colorado. He maintained studios in Iowa City, Iowa and Aspen, Colorado.ĭr. He served as a chairman of the advisory board of the National Council on Education in the Ceramic Arts, as a board member of the Museum of Arts and Design and the University of Iowa Art Museum Advisory Board. He was an adjunct professor of studio art and art history at the University of Iowa. Upon retiring in 1995 he immersed himself fulltime in his long-standing passions: ceramics and photography.Įskin was an avid collector of both contemporary and prehistoric ceramic pottery from around the world. He was also co-founder and director of Information Resources, Inc., one of the world’s leading providers of marketing information and software. ![]() Using a tripod and panoramic head he took a series of shots that he later stitched together on the computer. He worked to capture the texture and detail of the landscape. ![]() After drying for several months, the pieces were fired in either his eight-foot tall gas kiln or his anagama wood kiln.Įskin shot the photographs during a week-long trip to the Moab desert in Utah in 2007. In a very loose and gestural manner, Eskin ran his fingers and other tools over the wet clay to produce the textured surface. Together the ceramic pieces and photographs create an environmental installation evoking sacred mountain landscapes and their relation to burial rituals and the traditional spiritual function of ceramic forms.Įskin constructed the ceramic vessels from slabs and coils each is made from several hundred pounds of clay. His massive anthropomorphic vessels are informed by Middle Eastern sarcophagi. His photographic panoramas depict spectacular geological formations and desert landscape vistas near Moab, Utah. His work explores themes of monumental scale. View work from: Sandy and Gerry Eskin's collection ![]()
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